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Close panels: Right-click (Windows) or Control+click (Mac) a panel, and select Close from the context menu. This not only closes the panel but also removes it from your workspace. To get it back, simply open the Window menu, and click the name of the panel you closed to restore it. Add panels to sets: A collection of panel icons, as shown in Figure 1-6, is called a panel set. To create a customized panel set, drag one panel icon onto another panel. When you release the mouse, the panel will expand to include the new panel added. To remove a panel from a set, just drag the panel icon to the bottom of the stack.

Though not a technique, this tip falls squarely into the Well, it s about time category of new stuff. If you drag a floating panel over another interface element, the floating panel will become somewhat transparent and let you see what is under the panel. To save your customized workspace, select Window Workspace New Workspace, and enter a name for your custom workspace into the New Workspace dialog box. Click OK to add the workspace. If you want to delete one of your workspaces, select Window Workspace Manage Workspaces. When the Manage Workspaces dialog box opens, select the space to be deleted, and click the Delete button. Speaking of workspaces, at the top right of the Flash interface is a drop-down list of prerolled workspaces that came with the application. The default is Essentials. If you click and hold down that button, a drop-down list of the choices appears. If you want to return the workspace to its out-of-the-box look, select the Reset Essentials item in the menu. Now that you have learned to become the master of the work environment, let s take a look at how you can also become the master of your Flash document and wander over to the Preferences and Properties areas of Flash.

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If each movie clip is given an instance name that describes what it looks like, the innermost clip would be accessed like this from a keyframe of the main timeline: plasticWrapperyellowCookiecreamyFilling Note the camel case Because creamyFilling is a MovieClip instance, it contains all the functionality defined by the MovieClip class If the innermost movie clip creamyFilling has a number of frames in its own timeline and you want to send the playhead to frame 5, you would simply reference the whole path, include another dot, and then reference a relevant MovieClip method, like this: plasticWrapperyellowCookiecreamyFillinggotoAndPlay(5); This linked series of objects is known as a path The extent of a path depends on the point of view (scope) of the ActionScript that refers to it In Flash, this point of view depends on where the ActionScript itself is written.

The length value in awk is another internal variable that contains the number of characters in the current line.

CHAPTER 8 USING THE ASP.NET AJAX CONTROL TOOLKIT (PART 2)

In this case, it s written inside a keyframe of the main timeline, and you re aiming for the innermost object; therefore, the full path is required If ActionScript is written inside a keyframe of the innermost movie clip s timeline then the this keyword would suffice The creamyFilling instance would simply be referring to itself: thisgotoAndPlay( ); It wouldn t make sense to mention yellowCookie or plasticWrapper in this case unless you needed something in those movie clips From the point of view of creamyFilling, you could reference yellowCookie via the Movieclipparent property, like this: thisparent; But bear in mind, it s usually best to keep your point of view in the main timeline.

Why Well, when all of your code is on one place in the same layer or even in the same frame it s much easier to find six months from now, when you have to frantically update your movie The most important thing to realize is that you re the one in control of what you build If it s easier for you to drop a quick MovieClipstop method into some keyframe of a deeply nested movie clip as opposed to drilling down to it with a lengthy dot-notated path then do that Just keep in mind that paths are fundamentally important, because they serve as the connection between objects If you want to actually see how movie clips are nested using dot notation, open twinkiefla We have constructed the image on the stage as a series of movie clips from the Library.

echo $VAR | awk '{print length}'

This is the code in the scripts layer: trace(plasticWrapperyellowCookiecreamyFilling); This essentially asks, What is the object at the end of the path If you test the movie, the Output panel will tell you the object is a MovieClip..

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